Foča is a municipality in eastern Bosnia and Herzegovina where women were raped and abused on a large scale during the Bosnian war. Women, and girls as young as 12 years old, were imprisoned at various locations to be gang-raped, mostly by Serbian fighters. This was cause for the Yugoslavia Tribunal to designate “systematic rape” and “sexual slavery”—war crimes that frequently went unprosecuted—as torture and crimes against humanity. As a result, these crimes can now be universally prosecuted. 　　The so-called Foča case called on great courage from the countless women who testified about their horrific experiences. To preserve their anonymity the women were identified using numbers or letters. In this forensic video essay, filmmaker Kumjana Novakova uses mostly written testimonies by the women to explore the collective memory of the rape camps. In grainy video footage, the camera explores the places where these inhuman crimes took place, while the women speak about the unspeakable. 　　源自：https://festival.idfa.nl/en/film/c925f7a5-aa96-42aa-a222-4f9276df0821/silence-of-reason/

Foča is a municipality in eastern Bosnia and Herzegovina where women were raped and abused on a large scale during the Bosnian war. Women, and girls as young as 12 years old, were imprisoned at various locations to be gang-raped, mostly by Serbian fighters. This was cause for the Yugoslavia Tribunal to designate “systematic rape” and “sexual slavery”—war crimes that frequently went unprosecuted—as torture and crimes against humanity. As a result, these crimes can now be universally prosecuted. 　　The so-called Foča case called on great courage from the countless women who testified about their horrific experiences. To preserve their anonymity the women were identified using numbers or letters. In this forensic video essay, filmmaker Kumjana Novakova uses mostly written testimonies by the women to explore the collective memory of the rape camps. In grainy video footage, the camera explores the places where these inhuman crimes took place, while the women speak about the unspeakable. 　　源自：https://festival.idfa.nl/en/film/c925f7a5-aa96-42aa-a222-4f9276df0821/silence-of-reason/

Is it rational that the dead can communicate with the living and give sound advice on how they should live their lives? What about sticking pins into your body to free the flow of Chi energy and cure your illness? Or the bending of spoons using your mind alone? Is that rational? Richard Dawkins doesn’t think so, and feels it is his duty to expose those areas of belief that exist without scientific proof, yet manage to hold the nation under their spell. He will take on the world’s leading proponents in their field of expertise, meet the victims who have used them and expose the history of the movements – from the charlatans who have milked these practices to the experiments and testing that have failed to produce conclusive results.

记录身边正在发生的故事，透过个体或群体的生活、命运，感受背后的社会运转和时代变换，从中认识一个更加真实的中国。

巴西政变，1964；文革，1966；布拉格之春，1968；巴黎五月风暴，1968。导演若昂·莫雷拉·塞勒斯发现已故母亲四十年前拍下的片段，她在文革爆发当年到过中国，亲眼见证革命理想的幻象，与个人崇拜的疯狂。那是个火红年代，同一天空下，巴西的左倾总统因美国撑腰的军事政变而流亡海外， 捷克的民主运动如火如荼却遭到苏联坦克镇压，巴黎学生则占领校园让革命之火席卷全国。鉴古知今，塞勒斯以类似克里斯·马克的诗意光影沉思，回溯半世纪前的浩瀚波澜。

凭借《神探夏洛克》《伦敦生活》等剧圈粉无数的安德鲁·斯科特，与英国传奇剧作家诺埃尔·考沃德爵士这部当代经典相互成就，将名利场中的光鲜与光鲜背后演绎得活色生香。 　　除了安德鲁·斯科特精彩的表演，老维克剧院艺术总监马修·沃查斯在此版复排中通过巧妙的性别转换，出人意料又入木三分地触动了时代精神。《泰晤士报》、《电讯报》、Time Out与WhatsOnStage等媒体均给出五星好评，《金融时报》盛赞其为“一场演出的盛宴”，“精湛而又细致入微的表演将人们引向对名利，欲望和孤独的本质思考”。 　　《乐在当下》被视为考沃德半自传式的作品，讲述了一个陷入中年危机的自恋演员盖瑞·艾森戴在开始一段非洲之旅前，不得不试图甩掉一个疯狂的剧作家，一些想要引诱他的男人女人，以及长期伴随他左右的秘书和伴侣。艾森戴这个经典角色先后有考沃德本人、彼得·奥图尔爵士、伊恩·麦克莱恩爵士、凯文·克莱恩等戏骨演员出演过。

凭借《神探夏洛克》《伦敦生活》等剧圈粉无数的安德鲁·斯科特，与英国传奇剧作家诺埃尔·考沃德爵士这部当代经典相互成就，将名利场中的光鲜与光鲜背后演绎得活色生香。 　　除了安德鲁·斯科特精彩的表演，老维克剧院艺术总监马修·沃查斯在此版复排中通过巧妙的性别转换，出人意料又入木三分地触动了时代精神。《泰晤士报》、《电讯报》、Time Out与WhatsOnStage等媒体均给出五星好评，《金融时报》盛赞其为“一场演出的盛宴”，“精湛而又细致入微的表演将人们引向对名利，欲望和孤独的本质思考”。 　　《乐在当下》被视为考沃德半自传式的作品，讲述了一个陷入中年危机的自恋演员盖瑞·艾森戴在开始一段非洲之旅前，不得不试图甩掉一个疯狂的剧作家，一些想要引诱他的男人女人，以及长期伴随他左右的秘书和伴侣。艾森戴这个经典角色先后有考沃德本人、彼得·奥图尔爵士、伊恩·麦克莱恩爵士、凯文·克莱恩等戏骨演员出演过。

小拓（Midori Tamate 饰）刚刚结束一段失败的恋情，尚且还处于失恋的痛苦之中的他决定前往日本北海道的一座小镇里旅游散心，在那里，他租了一间房子，过着离群索居的生活并且心情并没有因此而有所变好。一天，一个名叫欧（Adisorn Thanawanitch 饰）的男孩敲响了小拓家的房门。原来，欧是小拓的邻居，因为不小心将钥匙锁在家里了，无奈之下只得向小拓借电话。 　　就这样，小拓结识了英俊帅气的欧，两人常常在一起打发时间，互诉衷肠，渐渐的，两颗心越走越近，竟然碰撞出了激情的火花。然而，欧很快就要结婚了，这是一段注定不会有结果的感情。

A self-obsessed actor in the midst of a mid-life crisis juggles a fawning ingenue, a crazed playwright, his ex-wife, and the personal lives of his friends.

小拓（Midori Tamate 饰）刚刚结束一段失败的恋情，尚且还处于失恋的痛苦之中的他决定前往日本北海道的一座小镇里旅游散心，在那里，他租了一间房子，过着离群索居的生活并且心情并没有因此而有所变好。一天，一个名叫欧（Adisorn Thanawanitch 饰）的男孩敲响了小拓家的房门。原来，欧是小拓的邻居，因为不小心将钥匙锁在家里了，无奈之下只得向小拓借电话。 　　就这样，小拓结识了英俊帅气的欧，两人常常在一起打发时间，互诉衷肠，渐渐的，两颗心越走越近，竟然碰撞出了激情的火花。然而，欧很快就要结婚了，这是一段注定不会有结果的感情。